{"id":366,"date":"2019-05-14T09:15:05","date_gmt":"2019-05-14T07:15:05","guid":{"rendered":"https:\/\/culturalcdm.eu\/2020\/09\/23\/500-germanies\/"},"modified":"2020-09-23T17:00:34","modified_gmt":"2020-09-23T15:00:34","slug":"500-germanies","status":"publish","type":"post","link":"https:\/\/culturalcdm.eu\/ca\/festivales\/500-germanies\/","title":{"rendered":"500 Germanies"},"content":{"rendered":"<p>Prenent com a eix la commemoraci\u00f3 del V Centenari de la Rebel\u00b7li\u00f3 de les Germanies, una revolta social contra la noblesa impulsada per les germanors gremials dels regnes de Val\u00e8ncia i Mallorca entre 1519 i 1523, la Fundaci\u00f3 Cultural Capella de Ministrers ha impulsar entre 2019 i 2020 diferents projectes culturals per a la recuperaci\u00f3 i difusi\u00f3&nbsp;del patrimoni musical relacionat&nbsp;amb aquest fet hist\u00f2ric.<\/p>\n<p style=\"margin: 0px; text-align: justify; font-stretch: normal; font-size: 11px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\">&nbsp;<\/p>\n<h2 class=\"drop_h2\"><strong><em>Germanies<\/em><\/strong><\/h2>\n<\/p>\n<h3 class=\"drop_h3\"><strong>Estrena&nbsp;de&nbsp;Capella de Ministrers en el Festival Renaixement 2019<\/strong><\/h3>\n<p>Monestir&nbsp;de Sant Miquel dels Reis (Val\u00e8ncia)<br \/>\n6 de juliol 2019<\/p>\n<p>El programa proposat per Carles Magraner i Capella de Ministrers explora part del repertori de car\u00e0cter b\u00e8l\u00b7lic compost a l\u2019Europa cat\u00f2lica durant el \u201cllarg\u201d segle XVI. Mentre que algunes de les peces es vinculen amb campanyes militars de Carles I d\u2019Espanya i V d\u2019Alemanya (en els inicis del regnat dels quals va tindre lloc la revolta de les Germanies), unes altres constitueixen vertaderes \u201cbatalles\u201d musicals que representen, per mitj\u00e0 d\u2019onomatopeies, abruptes canvis r\u00edtmics i aconseguits jocs de textura, els sons i el fragor de la guerra, simulant tocs de tambors, trets, fanf\u00e0rries i els t\u00edpics crits de crida a les armes (\u201ca l\u2019arma\u201d, \u201cvalents\u201d, \u201cfoc\u201d, \u201cbatalla\u201d, \u201cguerra\u201d, \u201cvict\u00f2ria\u201d), quan no la cita a instruments musicals d\u2019evident connotaci\u00f3 b\u00e8l\u00b7lica.<\/p>\n<p style=\"margin: 0px; font-stretch: normal; font-size: 10px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\"><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 11px; text-align: justify;\"><\/span><br \/>\nV\u00edctor Sordo, tenor;&nbsp;Jes\u00fas Navarro, tenor,&nbsp;Ignacio P\u00e9rez, tenor;&nbsp;<em>Qvinta Essen\u00e7ia:&nbsp;<\/em>Elia Casanova, soprano; Hugo Bol\u00edvar, contratenor;&nbsp;Albert Riera, tenor;&nbsp;Pablo Acosta, baix<\/font><\/p>\n<p style=\"margin: 0px; font-stretch: normal; font-size: 10px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">Carles Magraner, viola da gamba, direcci\u00f3;&nbsp;Lixania Fern\u00e1ndez, viola da gamba;&nbsp;Jordi Comellas, viola da gamba;&nbsp;Leonardo Luckert, viola da gamba;&nbsp;Raquel Fern\u00e1ndez, violone<\/font><\/p>\n<p style=\"margin: 0px; font-stretch: normal; font-size: 10px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49); min-height: 12px;\"><font color=\"#313131\" face=\"Helvetica\">David Antich, flautes;&nbsp;Nuria Sanrom\u00e0, cornetto;&nbsp;Silke Gwendolyn Schulze, xirim\u00eda;&nbsp;Elies Hern\u00e0ndis, sacabutx;&nbsp;Joan Mar\u00edn, <span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span><\/font><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\">sacabutx<\/span><font color=\"#313131\" face=\"Helvetica\"><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span>;&nbsp;\u00c1lvaro Mart\u00ednez, <span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span><\/font><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\">sacabutx<\/span><font color=\"#313131\" face=\"Helvetica\"><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span>;&nbsp;David Garc\u00eda, <span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span><\/font><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\">sacabutx<\/span><font color=\"#313131\" face=\"Helvetica\"><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica; font-size: 10px;\"><\/span>;&nbsp;Ovidi Gim\u00e9nez, baix\u00f3<\/font><\/p>\n<p style=\"margin: 0px; font-stretch: normal; font-size: 10px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49); min-height: 12px;\"><font color=\"#313131\" face=\"Helvetica\">Pau Ballester, percussi\u00f3;&nbsp;Robert Cases, guitarra i&nbsp;tiorba;&nbsp;Sara \u00c1gueda, arpa<\/font><\/p>\n<p style=\"margin: 0px; font-stretch: normal; font-size: 10px; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/p>\n<h2 class=\"drop_h2\" style=\"margin: 0px; font-stretch: normal; ; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/h2>\n<p><font color=\"#313131\" face=\"Helvetica\"><img loading=\"lazy\" decoding=\"async\" class=\" alignleft size-full wp-image-356\" alt=\"\" src=\"https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra.png\" style=\"margin: 20px; float: left; width: 300px; height: 304px;\" width=\"1685\" height=\"1708\" title=\"\" srcset=\"https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra.png 1685w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra-296x300.png 296w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra-1010x1024.png 1010w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra-768x778.png 768w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/CdM2049_sombra-1515x1536.png 1515w\" sizes=\"auto, (max-width: 1685px) 100vw, 1685px\" \/><\/font><\/p>\n<h2 class=\"drop_h2\"><font color=\"#313131\" face=\"Helvetica\">Enregistrament discogr\u00e0fic&nbsp;de Germanies<\/font><\/h2>\n<p style=\"margin: 0px; text-align: justify; font-stretch: normal; line-height: normal;\"><font color=\"#313131\" face=\"Helvetica\"><span style=\"font-size: 11px;\">El&nbsp;treball discogr\u00e0fic de Capella de Ministrers explora la relaci\u00f3&nbsp;entre m\u00fasica i&nbsp;guerra, una assocaci\u00f3 que pot rastrejar-se des de senzills tocs de trompeta i atabal interpretats per m\u00fasics militars en plena batalla per a infondre valor en els combatents, fins a les m\u00e9s elaborades peces compostes per a l\u2019exaltaci\u00f3 patri\u00f2tica, tals com marxes militars, himnes de vict\u00f2ria i odes cantades en festejos triomfals, danses i obres esc\u00e8niques, entre altres. En l\u2019\u00e0mbit religi\u00f3s, l\u2019impacte d\u2019all\u00f2 b\u00e8l\u00b7lic ha sigut igualment destacable, revestit sempre d\u2019un to sacre i moralitzador. Ac\u00ed est\u00e0, si no, tot un imponent repertori d\u2019ocasi\u00f3 per a les honres f\u00fanebres (misses de R\u00e8quiem), el cerimonial d\u2019acci\u00f3 de gr\u00e0cies (Te Deum, misses militars, etc.) i fins i tot l\u2019expressiu repertori musical de Setmana Santa basat en el Llibre de Lamentacions de Jeremies, que narra el siti i la destrucci\u00f3 de la ciutat de Jerusalem despr\u00e9s d\u2019haver caigut en mans de Nabucodonosor II (587 a. de C.).<\/span><\/p>\n<p><span style=\"font-size: 11px;\">L&#8217;enregistrament de l&#8217;<em>Aria della battaglia<\/em> d&#8217;Andrea Gabrieli est\u00e0 dedicada a la&nbsp;mem\u00f2ria de Magdalena Stefania Midgley, nascuda Kedzierska (4 de novembre de 1952 &#8211; 21 de juliol de 2014), la&nbsp;benvolguda&nbsp;esposa de Stephen Midgley. Magdalena va ser una&nbsp;arque\u00f2loga eminent,&nbsp;catedr\u00e0tica del&nbsp;neol\u00edtic europeu a la Universitat d&#8217;Edimburg, i autora de diversos&nbsp;libres sobre&nbsp;apuesta&nbsp;mat\u00e8ria acad\u00e8mica. Els seus&nbsp;interessos van incloure l&#8217;art, la literatura, els viatges i&nbsp;la m\u00fasica, sobretot la m\u00fasica renaixentista i&nbsp;barroca. L&#8217;<em>Aria della battaglia <\/em>per a huit instruments de vent de fusta d&#8217;Andrea Gabrieli era una de les seues obres&nbsp;preferidles.<\/span><\/font><\/p>\n<p>&nbsp;<\/p>\n<p style=\"margin: 0px; text-align: justify; font-stretch: normal; line-height: normal;\">&nbsp;<\/p>\n<h2 class=\"drop_h2\">Festival <em>X\u00e0tiva Renaixentista<\/em><\/h2>\n<h3 class=\"drop_h3\" style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\">500 anys de la revolta&nbsp;de Germanies<\/h3>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><span style=\"caret-color: rgb(49, 49, 49); color: rgb(49, 49, 49); font-family: Helvetica;\">X\u00e0tiva<\/span><br \/>\n29 d&#8217;octubre a l&#8217;1 de novembre 2020<\/p>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\">&nbsp;<\/p>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\">Festival de m\u00fasica i patrimoni al voltant dels Borja. X\u00e0tiva, bressol de la fam\u00edlia Borja, una de les m\u00e9s poderoses del Renaixement. La fam\u00edlia assol\u00ed fama universal amb dos papes, Alfons de Borja (Calixt III, 1456-1458) i el seu nebot Roderic de Borja (Alexandre VI, 1492-1503). Els Borja van ocupar nombrosos c\u00e0rrec de poder civil i eclesi\u00e0stic, com va fer posteriorment Sant Francesc de Borja, que va ser tercer general de la Companyia de Jes\u00fas (1565-1572). Partint d\u2019aquesta singularitat, la proposta es centra en un cicle multicultural on es combina la m\u00fasica hist\u00f2rica, l\u2019arquitectura dels diferents espais de la ciutat, el ric patrimoni tur\u00edstic de X\u00e0tiva i la gastronomia, fent part\u00edcep al p\u00fablic assistent de la vinculaci\u00f3 amb una esplendorosa etapa renaixentista.<\/p>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\">&nbsp;<\/p>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><a data-link-type=\"custom\" href=\"https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/PROGRAMA_XATIVA_RENAIXENTISTA.pdf\" target=\"_self\" title=\"\" rel=\"noopener\">Programa del festival<\/a><\/p>\n<p><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/p>\n<h2 class=\"drop_h2\"><font color=\"#313131\" face=\"Helvetica\">Presentaci\u00f3&nbsp;del disc&nbsp;<em>Germanies<\/em><\/font><\/h2>\n<h3 class=\"drop_h3\" style=\"margin: 0px; font-stretch: normal; ; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">A c\u00e0rreg d&#8217;Amadeo Serra i&nbsp;Carles Magraner<\/font><\/h3>\n<p style=\"margin: 0px; font-stretch: normal; ; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">X\u00e0tiva<br \/>\n29 octubre 2020<\/font><\/p>\n<p style=\"margin: 0px; font-stretch: normal; line-height: normal; font-family: Helvetica; color: rgb(49, 49, 49);\"><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/p>\n<p style=\"font-size: 10px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\"><font color=\"#313131\" face=\"Helvetica\"><i style=\"box-sizing: border-box;\">Germanies<br \/>\nLa Revolta de Germanies: guerra i pau en el Renaixement<\/i><\/font><\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\"><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\"><font color=\"#313131\" face=\"Helvetica\">&nbsp;<\/font><\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\">&nbsp;<\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\">&nbsp;<\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); text-align: justify; font-family: &quot;Open Sans&quot;, sans-serif;\">&nbsp;<\/p>\n<p style=\"font-size: 16px; box-sizing: border-box; margin: 0px 0px 10px; color: rgb(68, 68, 68); font-family: &quot;Open Sans&quot;, sans-serif; text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-362\" alt=\"\" src=\"https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/logos_germanies.png\" style=\"width: 800px; height: 97px;\" width=\"962\" height=\"117\" title=\"\" srcset=\"https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/logos_germanies.png 962w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/logos_germanies-300x36.png 300w, https:\/\/culturalcdm.eu\/wp-content\/uploads\/2019\/05\/logos_germanies-768x93.png 768w\" sizes=\"auto, (max-width: 962px) 100vw, 962px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prenent com a eix la commemoraci\u00f3 del V Centenari de la Rebel\u00b7li\u00f3 de les Germanies, una revolta social contra la noblesa impulsada per les germanors gremials dels regnes de Val\u00e8ncia i Mallorca entre 1519 i 1523, la Fundaci\u00f3 Cultural Capella de Ministrers ha impulsar entre 2019 i 2020 diferents projectes culturals per a la recuperaci\u00f3&#8230;<\/p>\n","protected":false},"author":2,"featured_media":353,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[15],"tags":[],"class_list":["post-366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festivales"],"_links":{"self":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/comments?post=366"}],"version-history":[{"count":0,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts\/366\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/media\/353"}],"wp:attachment":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/media?parent=366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/categories?post=366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/tags?post=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}