{"id":564,"date":"2022-09-21T10:48:35","date_gmt":"2022-09-21T08:48:35","guid":{"rendered":"https:\/\/culturalcdm.eu\/2022\/09\/21\/dama-i-unicorn\/"},"modified":"2022-09-21T10:48:35","modified_gmt":"2022-09-21T08:48:35","slug":"dama-i-unicorn","status":"publish","type":"post","link":"https:\/\/culturalcdm.eu\/ca\/proyectos\/didacticas\/dama-i-unicorn\/","title":{"rendered":"La dama i l&#8217;unicorn"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La dama i l&#8217;unicorn,<\/em>&nbsp;\u00e9s un&nbsp;espectacle&nbsp;multisensorial familiar i&nbsp;infantil que&nbsp;ens acosta a la m\u00fasica medieval i a l&#8217;art&nbsp;a trav\u00e9s de la interpretaci\u00f3&nbsp;d&#8217;uns tapissos&nbsp;flamencs del segle&nbsp;XV considerats&nbsp;com&nbsp;una de les grans obres de l&#8217;art&nbsp;medieval a Europa. Conservats&nbsp;des de 1882 en el&nbsp;<a data-link-type=\"menuitem\" href=\"\" target=\"_self\" title=\"https:\/\/www.musee-moyenage.fr\/collection\/oeuvre\/la-dame-a-la-licorne.html\" rel=\"noopener\">Mus\u00e9e de Cluny de Par\u00eds<\/a>, estan&nbsp;teixits en llana i&nbsp;seda i&nbsp;la seua&nbsp;iconografia ha sigut interpretada com la representaci\u00f3 dels cinc sentits&nbsp;-vista, o\u00efda, olfacte&nbsp;i&nbsp;tacte-, concloent en un sis\u00e9&nbsp;que mostra les paraules&nbsp;<i>\u00c0 mon seul d\u00e9sir&nbsp;<\/i>(\u00abpel meu \u00fanic desig\u00bb).&nbsp;En tots els es mostren una dama noble i un unicorn, acompanyats en algunes ocasions d&#8217;altres animals.<\/p>\n<p style=\"text-align: justify;\">Inspirats per la bellesa del tap\u00eds, naix aquest espectacle en el qual els personatges adquireixen la capacitat d&#8217;integrar-se amb el p\u00fablic. Els espectadors coneixeran a la jove protagonista, Paula, una rebel adolescent que com per art de m\u00e0gia, apareix a l&#8217;interior del tap\u00eds. Dos enamorats, la dama i l&#8217;unicorn, seran els encarregats de guiar-la en un inesperat viatge a trav\u00e9s dels sentits on deuran desxifrar el significat del sis\u00e9 tap\u00eds.<\/p>\n<p style=\"text-align: justify;\">Sota la direcci\u00f3 musical de <strong>Carles Magraner<\/strong> i la direcci\u00f3 esc\u00e8nica de <strong>Toni Aparisi<\/strong><span style=\"font-size: 16px; font-family: &quot;Open Sans&quot;, Helvetica, Arial, sans-serif;\">,<\/span>&nbsp;el grup de m\u00fasica medieval <strong>Capella de Ministrers<\/strong> i la <strong>C\u00eda. de dansa TransferMove<\/strong>, donen vida als textos originals de la escritora <strong>Merc\u00e9 Viana<\/strong>, combinant dansa, m\u00fasica, literatura i hist\u00f2ria.<\/p>\n<p style=\"text-align: justify;\">&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Int\u00e8rprets<\/strong><\/p>\n<p style=\"text-align: justify;\">Laia Blasco, Dama<br \/>\nToni Aparisi, Unicorn<br \/>\nCarmen Comes, Paula<\/p>\n<p style=\"text-align: justify;\">Carla Coves, Gos<br \/>\nAlba Gald\u00f3n, Mico<br \/>\nSonia Murillo, Lle\u00f3<\/p>\n<p style=\"text-align: justify;\">Laia Blasco,&nbsp;soprano<br \/>\nCarles Magraner, violes d&#8217;arc<br \/>\nRobert Cases, lla\u00fct&nbsp;i&nbsp;arpa<\/p>\n<p>Recomanat&nbsp;per a&nbsp;p\u00fablic&nbsp;de 9&nbsp;a 13&nbsp;anys<\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align:center;\"><iframe loading=\"lazy\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fSmIPb7LKp8\" title=\"YouTube video player\" width=\"560\"><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La dama i l&#8217;unicorn,&nbsp;\u00e9s un&nbsp;espectacle&nbsp;multisensorial familiar i&nbsp;infantil que&nbsp;ens acosta a la m\u00fasica medieval i a l&#8217;art&nbsp;a trav\u00e9s de la interpretaci\u00f3&nbsp;d&#8217;uns tapissos&nbsp;flamencs del segle&nbsp;XV considerats&nbsp;com&nbsp;una de les grans obres de l&#8217;art&nbsp;medieval a Europa. Conservats&nbsp;des de 1882 en el&nbsp;Mus\u00e9e de Cluny de Par\u00eds, estan&nbsp;teixits en llana i&nbsp;seda i&nbsp;la seua&nbsp;iconografia ha sigut interpretada com la representaci\u00f3 dels cinc&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[27,20],"tags":[],"class_list":["post-564","post","type-post","status-publish","format-standard","hentry","category-categoria-ca-es-ca","category-didacticas"],"_links":{"self":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts\/564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/comments?post=564"}],"version-history":[{"count":0,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/posts\/564\/revisions"}],"wp:attachment":[{"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/media?parent=564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/categories?post=564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalcdm.eu\/ca\/wp-json\/wp\/v2\/tags?post=564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}