El Cortesano is a theatrical and musical show that recreates the courtly landscape of a European city characterized by its valuable cultural and artistic contributions, as well as the connections between principal European cities during the Renaissance and the humanistic influence of Flanders. Through a text elaborated based on 16th-century literary references in the form of a Madrigal comedy, the audience has the opportunity to immerse themselves in the essence of an intense artistic century. Here, the notion of diversity merges with the transnational European idea, displaying the urban world around the cosmopolitan city and the development of cultural exchange, illustrated within the Renaissance court, serving as the prelude and postlude to the revolt of the Brotherhoods. The show unfolds as a courtly comedy featuring etiquette, courtesy, adventures, duels, discreet pleasures, and artistic parties, all represented by illustrious characters accompanied by music.

Many authors sought to identify opera precursors in ancient representations of Greek tragedies, such as those by Euripides or Sophocles, where choruses and dialogues were sung. However, it was not until the end of the 16th century and the beginning of the 17th century that opera emerged as a distinct genre. A new genre was born, including a forerunner, intermezzos, and Renaissance pieces developed between comedy acts. Another significant contribution was the madrigal comedy, representing scenes and states of mind with music adapted to the spirit of the words. This show is a compilation of Renaissance musical pieces used dramatically, in the style predating opera.

The story begins with a party, echoing scenes narrated by Luys Milan in “El Cortesano”: “Lords, I want to invite you as I have been invited. Walk down to the garden that my singers want to celebrate the May festivities, just as it is celebrated in Italy.” His books, “Libro de Motes de damas y caballeros intitulado El juego de Mandar,” published in 1534 in Valencia, and “El Maestro,” are the works that give the title to this spectacle.