{"id":457,"date":"2021-01-15T17:50:53","date_gmt":"2021-01-15T16:50:53","guid":{"rendered":"https:\/\/culturalcdm.eu\/2021\/01\/15\/el-llibre-de-les-besties-en\/"},"modified":"2021-01-15T17:50:53","modified_gmt":"2021-01-15T16:50:53","slug":"el-llibre-de-les-besties-en","status":"publish","type":"post","link":"https:\/\/culturalcdm.eu\/en\/proyectos\/didacticas\/el-llibre-de-les-besties-en\/","title":{"rendered":"El Llibre de les B\u00e8sties"},"content":{"rendered":"<p style=\"margin: 0px 0px 16px; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; background-color: rgb(255, 255, 255);\"><i>El Llibre de les B\u00e8sties<\/i>&nbsp; is a brief tale inside Ramon Llull&#8217;s Book of Meravalles, in which a serious reflection is made of the policy in the form of fables where the animal characters are an excuse to portray some of the most tedious facets of the human condition. The subject tells us that Felix is on his journey when a few friars explain that nearby there is a large meeting of animals, gathered to elect a king. The lion wins the vote and since it does not include the fox in his court, he tries to ascend to power through deceit and fear.&nbsp;<\/p>\n<p style=\"margin: 0px 0px 16px; text-align: justify; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; background-color: rgb(255, 255, 255);\">Lull gives us an account of the vices and virtues of society of its time. The men, however, of all ages are similar and the moral lesson that they learn from the work could be extrapolated to the present time. It is narrated in contemporary Valencian and accompanying the atmosphere of the medieval instrumental repertoire.<\/p>\n<p style=\"margin: 0px 0px 16px; text-align: justify; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; background-color: rgb(255, 255, 255);\">This artistic proposal on <i>El Llibre de les B\u00e8sties<\/i> by Capella de Ministrers brings us closer to the medieval music related to the figure of Ram\u00f3n Lull and his work with a proposal specially designed for the younger audience. The production combines dance, music, literature and history, elements of this proposal by the music ensemble Capella de Ministrers. The dramatized concert relies on a musical structure reinforced with a staging with five dancers and several actors.<\/p>\n<p style=\"margin: 0px 0px 16px; text-align: justify; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; background-color: rgb(255, 255, 255); min-height: 19px;\">&nbsp;<\/p>\n<p style=\"margin: 0px 0px 16px; text-align: justify; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; color: rgb(66, 1, 120); background-color: rgb(255, 255, 255);\"><span style=\"text-decoration: underline\"><a href=\"https:\/\/www.teatroenvalencia.com\/documents\/20200908_125546_Proposta%20material%20didactic%20LLULL.pdf\" rel=\"nofollow noopener\" target=\"_blank\">Didactic material<\/a><\/span><\/p>\n<p style=\"margin: 0px 0px 16px; text-align: justify; font-stretch: normal; font-size: 16px; line-height: normal; font-family: Helvetica; background-color: rgb(255, 255, 255); min-height: 19px;\">&nbsp;<\/p>\n<p style=\"margin: 0px 0px 10px; text-align: justify; font-stretch: normal; font-size: 13px; line-height: normal; font-family: Helvetica; color: rgb(38, 38, 38); background-color: rgb(255, 255, 255);\">5 actors \/ dancers<br \/>\nToni Aparisi Company&nbsp;<\/p>\n<p style=\"margin: 0px 0px 10px; text-align: justify; font-stretch: normal; font-size: 13px; line-height: normal; font-family: Helvetica; color: rgb(38, 38, 38); background-color: rgb(255, 255, 255);\"><i>Capella de Ministrers<\/i><br \/>\n4 musicians<\/p>\n<p style=\"margin: 0px 0px 10px; text-align: justify; font-stretch: normal; font-size: 13px; line-height: normal; font-family: Helvetica; color: rgb(38, 38, 38); background-color: rgb(255, 255, 255);\">Script by Vicent Josep Escart\u00ed based on <i>El Llibre de les Meravelles <\/i>by Ramon Llull<\/p>\n<p style=\"margin: 0px 0px 10px; text-align: justify; font-stretch: normal; font-size: 13px; line-height: normal; font-family: Helvetica; color: rgb(38, 38, 38); background-color: rgb(255, 255, 255);\">&nbsp;<\/p>\n<p style=\"margin: 0px 0px 10px; font-stretch: normal; font-size: 12px; line-height: normal; font-family: Arial; color: rgb(51, 51, 51); background-color: rgb(255, 255, 255);\"><span style=\"font-kerning: none\"><\/span><\/p>\n<div style=\"text-align:center;\">\n<p><iframe loading=\"lazy\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Yvp1R1hM-7o\" title=\"YouTube video player\" width=\"560\"><\/iframe><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El Llibre de les B\u00e8sties&nbsp; is a brief tale inside Ramon Llull&#8217;s Book of Meravalles, in which a serious reflection is made of the policy in the form of fables where the animal characters are an excuse to portray some of the most tedious facets of the human condition. The subject tells us that Felix&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[20,35],"tags":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-didacticas","category-didactics"],"_links":{"self":[{"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":0,"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"wp:attachment":[{"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/culturalcdm.eu\/en\/wp-json\/wp\/v2\/tags?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}